Movie rights. Were something like bitcoin. Our ideas generate value to the creators. The more in-sim value that’s created, so it extends to the creators. Mirrors are to blame, you see. Whichever creator allows mirrors to exist in-sim nearly destroyed the sim the first time a “person” stood between two mirrors and saw their infinite reflection. The immediate fix was to allow the concept of infinite universes and sim life.
You might appreciate “What’s Up, Tiger Lily”. It’s a comedic re-dub of a Japanese spy flick.
Because none of the other characters are? It’s a quick way to set them apart at a glance, I reckon.
SPOILER: The dead are still walking.
Ditto. Didn’t work for me in “V”, but in Deadpool, um, yeeessssss!!
There’s a disturbance in the force.
Nice try evil doppelgänger, nice try.
Darkon is a documentary about LARPing. I think that oughta cover all aspects.
One does not simply drive into Mordor.
Take a byte and report back.
“The pointy end goes into the other man.”
Gotcha. And, fair enough. I now choose “Stairway to Heaven” so that the world forever debates Tenacious D’s “Tribute” and what song it could be about. ** laughs in Jack Black **
And cheddar, ya philistines.
Since I choose, am I aware of the song being gone afterwards? Can I choose a Beatles song that the world loves and then “write” it and profit from it? (See the movie “Yesterday”.) It’s interesting that a lot of answers are “get rid of the song that I don’t like. Okay, I get that. But! If I’m aware that the song is gone afterwards, I’d choose whatever the most sung religious song is just to see what that affects.
If you take drugs irresponsibly, you could be happy for the rest of your life.
I thought it was a giant space goat?
My choom.
Unless it’s stupid, then it’s anecdodo.