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Cake day: March 1st, 2026

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  • I realized as I got older how much of our history, the parts they have to acknowledge, are treated like they’re a singular moment in the past, resolved, and somehow could never resurface in a different form.

    The push to frame the Civil Rights or Women’s Suffrage movements as the “correct” form of how American citizens call out inequality is also sanitized to the point it becomes toothless. We’re given a version where people just gather, speak out, sometimes get beaten to a pulp/jailed/killed but so long as they remain non-violent, eventually society will feel bad and someone with the power to change things will do so.

    There are times where large scale protests are beneficial because it rallies and shows the scale of opposition. Sometimes witnessing the violence of the oppressors against peaceful people shocks and horrifies. But we’re at a point where watching cops, ICE, and Proud Boys brutalize others is fetish porn for MAGAts, and mass gatherings for the sake of showing up but not networking and continuing the movement during the weeks in-between is futile. They have no reason to see us as a threat if all we do is show up for a few hours one weekend every six weeks and hold signs.

    And to my fellow dissatisfied leftists, if your aversion to anything more direct is rooted in the idea that previous protests were successful because they stayed “peaceful” and took their lumps, you’re protesting the way the machine wants you to. Just enough liberty to feel like you’re standing up to oppression but not doing anything that actually challenges the oppressor.




  • As I said, practical first, digital secondary or to enhance seems to be the secret sauce of creating something stunning. Most of the intimate shots with Rexy and the kids are practical. When she busts through the sunroof and tries to eat them… terrifyingly real because there’s a “real” thing attacking them. LOTR is real for a different reason- physical armor, cast of thousands. Compare the Rohirrim and armies of Mordor in that movie to the unified CGI mess that is the Battle of Five Armies in the Hobbit. Even using physical miniature sets for the big locations like Minas Tirith gives them weight.


  • Jurassic Park, Terminator 2, TMNT ‘89, Lord of the Rings.

    Whatever the JP franchise is now, it will never go back to full scale animatronics, and without Stan Winston’s magic, it’ll never be quite what the first (and a bit of the second) were.

    Cameron himself can’t recreate the magic of T2 even if his films make billions. He never risks having to “nail this in one shot” stunts.

    As for TMNT. Nobody gives a shit they’re suits, we could suspend our disbelief and watched mindblowing performances by great stuntmen in some of the most advanced animatronics ever. Michael Bay can’t even fathom how much better that is.

    The Hobbit was plagued by a lot of problems, but I don’t know if even Jackson could pull off the practical effects with digital overlay magic that was the first trilogy if he tried.

    That era of Hollywood, practical first, digital to enhance (sparingly) is gone it seems. It’s sad Hollywood has forgotten that that boundary pushing era was what made those films iconic. Rexy had weight, she literally tore a car apart. You can see the chaos of the semi landing in the canal. The turtles hit. The Riders of Théoden truly rode for ruin. Tell me you don’t get giddy when you know that scene is about to hit.